Preface; Chapter 1: Constructing Indigenous America; Early America: Mound Builder Cultures; Adena Culture; Hopewell Culture; Art of the Pacific Northwest; Old Bering Sea Culture; The Tlingit and Haida Cultures of the Northwest Coast; Art and Architecture of the Southwest; The Hohokam Culture; The Mimbres Culture; Art of the Caribbean Taino; Chapter 2: Colonial Disruptions: Un/Making a New World ; Constructing and Circulating Images of the Other; In Search of Spices; In Search of Gold; Labor and Luxury; Forced Labor, Conquest, and Colonization; Power and Portraiture; Building the New World; New Spain; New England and New Netherland; New France; Chapter 3: Establishing an Anglo American Nation: Art During the Federal Period ; Visualizing Revolution; The War of the Conquest; The Sons of Liberty; Picturing America and Americans; Framing the Other; Establishing a National Iconography; Building American Institutions; Staging Rebellion; The Myth of Benevolence; Chapter 4: The Nineteenth Century: Westward Expansion and Indian Removal; Remaking the Nation; Florida and the American South; The Trans-Mississippi West; Portraying Native Bodies; From Noble Savage to Vanishing Race; Fashioning the Self: Native Subjects Speak Back; Imagining the West; Survey Paintings and Photography; Cowboys and Indians; Chapter 5: The Nineteenth Century: Stitching Together a New Body Politic; Painting Scenes of Everyday Life; Americans at Work and at Home; Prints and Patrons; Performing the Other; Mythologizing the Past; Art, Literature, and the Penny Press; The Mexican American War; The Civil War; Go West!; Race, Art, and Activism; Representing Slavery and Freedom; Images of Reconstruction; Chapter 6: The Nineteenth Century: Reshaping the Landscape; Rural Cemeteries and Public Parks; Philadelphia: Athens of America; The American Sublime; Plantation Portraits; American Impressionism; The End of Landscape Painting; Chapter 7: From the Gilded Age to the Progressive Era: Picturing Gender, Race, and Class; Exhibiting Wealth and Class in the Gilded Age; Portraits and Power; Building the Gilded Age; Globalism and Imperialism at World’s Fairs; Scientific Racism and the Centennial International Exposition of 1876; Women, Race, and the World’s Columbian Exposition of 1893; The War of 1898 and the Louisiana Purchase Exposition; Picturing Gender, Race, and Class in the Progressive Era; How the Other Half Lives; Out of the Ash Can; Chapter 8: The Multiple Modernisms of the Interwar Period; The New Negro Movement; The Jazz Age; Sculpting the Harlem Renaissance; Stieglitz, Precisionism, and Surrealism; The Stieglitz Circle; Capturing the Machine Age; Surrealism in the Americas; Pueblo Artists and the Taos School; Figuration; Abstraction; Regionalism and the American Scene; American Regionalism; Painting the American Scene; Chapter 9: Depression and Recovery: The New Deal, World War II, and the Post-War Boom; The New Deal; Public Works of Art; Social Realism; The Art of War; Representing War; Illustrating Internment; Mythmaking: Postwar Abstraction; Abstract Expressionism; Color Field Painting; Out in the World: Found Objects, Funk, and Pop; Neo-Dada; Pop; Chapter 10: Challenging the Past and Imagining the Future; Art and/as Activism; The Black Arts Movement; The Feminist Arts Movement; The Chicano Arts Movement; Disability Rights; The Gay Rights Movement; Art in the Expanded Sphere; Minimalism, Conceptualism, and Earth Art; Faith and Reason; Neo-Expressionism and Afro-Futurism; Key Terms; Index $ AC; 1KBB $ History of art / art

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